This is a book about the end of childhood. Much of it is drawn directly from a diary the author kept while he was a bright but insecure freshman at Harvard in the 1950s. From these pages emerges a precise description of the raw, half-understood experience of late adolescence--the anguish and arguments, the rivalry and anxiety about sex, the facile cynicism and desperate fumblings for purpose, the bull sessions held late at night--just as Peter Prescott recorded them only hours after the event.

These diary excerpts are contained in a narrative that examines that freshman experience from a vantage point of twenty years. Thus, we are able to look at the past with a double perspective: Th e exact record, unclouded by memory or nostalgia, of what was said and done is set in a structure that reveals the form of the experience. Th e result is an ironic, witty, and often moving book.

Writing with some compassion and even more asperity, Peter S. Prescott not only captures the confl icts and emotions of a single year, but probes beneath the surface of memory to explore certain tribal customs and rites of passage as they are played out in the classrooms and living quarters of the college. A few famous people--T. S. Eliot and Edith Sitwell among them--play brief parts in this chronicle, but young Prescott's attention was primarily engaged in his struggle with his extravagant roommates and an assortment of eccentric undergraduates.

"Peter S. Prescott" was book review editor for "Newsweek." His books include "Encounters with American Culture" (Volumes 1 and 2), and "The Child Savers: Juvenile Justice Observed." His critical essays about books and other cultural phenomena have appeared in numerous magazines and newspapers.

"Anne Lake Prescott" is Helen Goodhart Altschul Professor of English at Barnard College. She is a specialist in the English Renaissance and is affi liated with the comparative literature program and the medieval and Renaissance studies program at Barnard College. Her most recent book is "Renaissance Historicisms: Essays in Honor of Arthur F. Kinney."

Peter S. Prescott was one of the most informed and incisive American literary critics to write for the general public. Never content merely to summarize or to pronounce quick judgments, Prescott's reviews are witty and delightful essays to be enjoyed for their own sake as examples of civilized discourse. Whether he is exploring a well-known novelist's outlook and methods, or the peculiar deficiencies of a work of nonfiction, Prescott's grace, elegance, and insights make each piece proof that real criticism need not be pedantic, obscure, or interminably long.

The focus in this second volume of Prescott's writings published by Transaction is on both fiction by American authors and on nonfiction reflecting our American unease. He casts an ironic eye on how we in this country think we live now; on what we are saying about ourselves in our fiction, our history, and our biography. Prescott considers some of our century's classic writers: Hemingway and Henry Miller; John Cheever and Thornton Wilder. He offers new insights regarding those who are still at work: Mailer, John Irving, Oates, Updike, Ozick, and Alice Walker. Some authors do not fare well. With his customary flair; Prescott explains why the reputations of Kurt Vonnegut and Barbara Tuchman, the "Encyclopedia Britannica, " and John Gardner, urgently need deflation. He includes essays on writers and books not generally noticed in collections of criticism: Stephen King, "The Joy of Sex, " fairy tales, science fiction, thrillers, books on survival and etiquette. Here is a critic with a personal voice and a sense of style. For essays published in this collection, Prescott received the most highly regarded prize in journalism: the rarely presented George Polk Award for Criticism.

This is a chronicle of our contemporary American culture as revealed by its books, written with verve, intelligence, wisdom, and wit by a critic who's cruel only when appropriate. Encounters with American Culture is, quite simply, literary journalism at its urbane best.

"Peter S. Prescott" was book review editor for "Newsweek." His books include "A Darkening Green: Notes from the Silent Generation, " and "The Child Savers: Juvenile Justice Observed." "Anne L. Prescott" is Helen Goodhart Altschul Professor of English at Barnard College.

This collection of essays discusses some of the important books, authors, and literary trends of a volatile era in American and world literature whose cultural repercussions are still being felt. Peter S. Prescott was one of the most penetrating, knowledgeable, and sensitive critics to write for a general audience in the tradition of Edmund Wilson. Readers will discover not only Prescott's acute and subtle comments on the enduring and/or representative books of the time, but also his humor and style, his way with an anecdote or aphorism, his talent for parody, and his ability to laugh at himself, as well as at the authors he sometimes skewers. Prescott's writing has an immediacy and vivacity that suggests what it was like to read new books during his time. Here is one critic's view--ironic and complex--of good books by famous writers like Norman Mailer, Jorge Luis Borges, Joyce Carol Oates, Aleksandr Solzhenitsyn, and Vladimir Nabokov, as well as of good books by little-known writers and others who would later achieve reknown. Here, too, is some astringent criticism of distinguished and popular authors who have fallen into self-indulgence. Prescott writes about the New Journalism in its early days and about fragmentary autobiography as a literary form--genres whose importance he was among the first to recognize. His essays also touch on theater, film, food, and politics. The criticism in this volume are examples of the literary essay in its truest sense--an attempt to explore, in however brief space allowed, what the author sees around him, and connections between books and other aspects of the way people live. Always personal and urbane, these essays are often hilarious, generally moving, and exemplify the essay as an art form.

This is a book about the end of childhood. Much of it is drawn directly from a diary the author kept while he was a bright but insecure freshman at Harvard in the 1950s. From these pages emerges a precise description of the raw, half-understood experience of late adolescence-the anguish and arguments, the rivalry and anxiety about sex, the facile cynicism and desperate fumblings for purpose, the bull sessions held late at night-just as Peter Prescott recorded them only hours after the event. These diary excerpts are contained in a narrative that examines that freshman experience from a vantage point of twenty years. Thus, we are able to look at the past with a double perspective: The exact record, unclouded by memory or nostalgia, of what was said and done is set in a structure that reveals the form of the experience. The result is an ironic, witty, and often moving book. Writing with some compassion and even more asperity, Peter S. Prescott not only captures the conflicts and emotions of a single year, but probes beneath the surface of memory to explore certain tribal customs and rites of passage as they are played out in the classrooms and living quarters of the college. A few famous people-T. S. Eliot and Edith Sitwell among them-play brief parts in this chronicle, but young Prescott's attention was primarily engaged in his struggle with his extravagant roommates and an assortment of eccentric undergraduates.

Peter S. Prescott was one of the most informed and incisive American literary critics to write for the general public. Never content merely to summarize or to pronounce quick judgments, Prescott's reviews are witty and delightful essays to be enjoyed for their own sake as examples of civilized discourse. Whether he is exploring a well-known novelist's outlook and methods, or the peculiar deficiencies of a work of nonfiction, Prescott's grace, elegance, and insights make each piece proof that real criticism need not be pedantic, obscure, or interminably long. The focus in this second volume of Prescott's writings published by Transaction is on both fiction by American authors and on nonfiction reflecting our American unease. He casts an ironic eye on how we in this country think we live now; on what we are saying about ourselves in our fiction, our history, and our biography. Prescott considers some of our century's classic writers: Hemingway and Henry Miller; John Cheever and Thornton Wilder. He offers new insights regarding those who are still at work: Mailer, John Irving, Oates, Updike, Ozick, and Alice Walker. Some authors do not fare well. With his customary flair; Prescott explains why the reputations of Kurt Vonnegut and Barbara Tuchman, the Encyclopedia Britannica, and John Gardner, urgently need deflation. He includes essays on writers and books not generally noticed in collections of criticism: Stephen King, The Joy of Sex, fairy tales, science fiction, thrillers, books on survival and etiquette. Here is a critic with a personal voice and a sense of style. For essays published in this collection, Prescott received the most highly regarded prize in journalism: the rarely presented George Polk Award for Criticism. This is a chronicle of our contemporary American culture as revealed by its books, written with verve, intelligence, wisdom, and wit by a critic who's cruel only when appropriate. Encounters with American Culture is, quite simply, literary journalism at its urbane best.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Prepared Lessons On The Gospels, For The Use Of Sunday Schools And Families Peter Prescott

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

With a career spanning almost five decades, Orson Welles became - and in many ways still is - one of entertainment's biggest names. His temperamental vitality, his humor and his general theatricality contributed volumes to the American stage and movie screen. His concepts of lighting and staging brought a new era to American productions. Welles influenced an entire generation of directors. These interviews conducted between 2003 and 2005 record the reminiscences of 29 individuals who worked with Orson Welles in a professional capacity. Beginning with 1937 and his work in Mercury Theatre, it follows a selected few of many who were part of Welles's life up to his sudden death in October 1985. Including actors, editors, cinematographers, camera assistants and magicians, the work presents a rounded view of Welles' career and, to some extent, his personal life. Each interview is presented in question and answer format with occasional commentary inserted for context or clarification. Projects discussed include Welles' most notable (""Citizen Kane and War of the Worlds"") as well as others like ""Heart of Darkness"" and ""The Cradle Will Rock"" which never quite reached fruition.